Author profile

Derek Owusu

Derek Owusu is a British novelist and poet from North London, of Ghanaian heritage, whose work explores mental health, Black British identity and the porous line between art and life. His debut That Reminds Me won the 2020 Desmond Elliott Prize.

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About Derek Owusu

Derek Owusu is a novelist and poet from North London, of Ghanaian heritage. He found writing late, sneaking into English Literature lectures at the University of Manchester while studying exercise science. He later completed an MA in Creative Writing at Brunel University London. He has written for the BBC, ITV, Granta and Tate Britain, and was a founding member of the Black Writers Guild in 2020.

His novels sit between prose and poetry, between fragment and sustained narrative. That Reminds Me, a semi-autobiographical coming-of-age story, won the 2020 Desmond Elliott Prize and was the first novel published under Stormzy's Merky imprint. Losing the Plot (2022) traces his mother's journey from Ghana to Britain in a form that reviewers called difficult to classify. The Recovery House (2026) follows a young writer in a residential mental health facility, written in long, unpunctuated sentences that blur the boundary between illness and inspiration.

In 2023 he was named to Granta's Best of Young British Novelists list, and Losing the Plot was longlisted for both the Dylan Thomas Prize and the Jhalak Prize that year.

A new reader might begin with That Reminds Me for its raw, fragmentary account of a young Black man making sense of a chaotic upbringing, or go straight to The Recovery House if the question of what art costs its maker is what pulls you in.

Published books

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The Recovery House

In The Recovery House, Derek Owusu follows Jamal, a young writer who wakes in a residential mental health facility after a breakdown. Disoriented, alcoholic, and carrying a diagnosis of borderline personality disorder, Jamal must piece together how he arrived there. The recovery house—creaky beds, watchful nurses, restless corridors—becomes both constraint and shelter. Within its walls, Jamal forms unexpected bonds: a friendship with Joy, who sings The Cranberries into the dark; a weekly Bible study; a Turkish man he connects with over a pot of oxtail. Written in Owusu's unbroken, breathless prose with no chapter breaks, this slim novel interrogates the line between illness and inspiration, faith and doubt, and the ethics of mining one's suffering for story. It is a tender book about what it means to be witnessed, to recover, and to create without destroying the self that creates.

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