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Photo: Gage Skidmore from Peoria, AZ, United States of America · CC BY-SA 2.0 · via source

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Amitav Ghosh

Indian novelist and essayist Amitav Ghosh writes about empire, migration, the Indian Ocean and the climate crisis, joining historical research to an expansive literary imagination.

1 published book 0 published articles

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About Amitav Ghosh

Born in Calcutta in 1956, Amitav Ghosh grew up in India, Bangladesh and Sri Lanka, then studied in Delhi, Oxford and Alexandria. Trained in social anthropology, he has written novels, essays and works that cross the boundary between history, travel and memoir.

His books repeatedly return to migration, colonial trade and the unstable relationship between human beings and the natural world. The Hungry Tide places its characters in the shifting waterways of the Sundarbans; the Ibis Trilogy follows sailors, laborers, convicts and merchants through the opium economy and the approach of the First Opium War. His fiction is marked by archival depth, mobile casts and an alertness to the histories carried by words.

Sea of Poppies, the trilogy’s opening novel, was shortlisted for the 2008 Booker Prize. Ghosh received the 2018 Jnanpith Award and the 2024 Erasmus Prize. His other major books include The Shadow Lines, The Glass Palace, In an Antique Land and The Nutmeg’s Curse.

Start with The Great Derangement, the WebToTell selection. This compact work of nonfiction asks why modern literature, politics and historical thought have struggled to represent climate change at its true scale. It offers a direct route into concerns that run throughout Ghosh’s work: empire, fossil-fuel modernity, extreme weather and the limits of conventional realism. Readers who want to continue in fiction can turn next to The Hungry Tide or Sea of Poppies.

Published books

Author

The Great Derangement

In this book-length work of cultural criticism, Amitav Ghosh asks why societies that possess extensive knowledge about climate change remain so poor at imagining its consequences. He examines the problem through three connected fields: stories, history, and politics. Modern literary fiction, he argues, often treats improbable disasters and nonhuman forces as unsuitable for serious realism, even as a destabilized climate makes such events increasingly consequential. Historical accounts can likewise obscure the entanglement of fossil fuels, empire, industrialization, and unequal development. In politics, an emphasis on individual virtue and national interest struggles to address a planetary crisis requiring collective action. Ghosh therefore presents climate change not only as an environmental or technical problem but as a failure of cultural imagination. The book challenges writers, historians, and political communities to recover ways of thinking that can accommodate surprise, nonhuma…

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