Author profile

Basil Creighton

British novelist and translator (died 1989) who brought German authors into English between the wars. His 1929 version of Hesse's Steppenwolf, later revised by Joseph Mileck, was for decades the standard English text.

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About Basil Creighton

Basil Creighton was a British novelist and translator who died in 1989 at the age of 103. In the First World War he worked in military intelligence, taking aerial photographs of German trenches. He also wrote fiction under his own name, including Medner Hill Farm and The Leaden Cupid, but it is his translations that keep his name in circulation.

His work lay mostly in German prose between the two world wars. An Associated Press obituary counted 34 translations from that period. They cover very different ground: Vicki Baum's Grand Hotel, a novel of lives crossing in a Berlin hotel; Ernst Jünger's trench memoir Storm of Steel, whose first English edition, in 1929, was his; B. Traven's The Treasure of the Sierra Madre; and Alma Mahler's Gustav Mahler: Memories and Letters.

The best known is Steppenwolf. Creighton's version of Hesse's novel appeared in 1929 from Martin Secker in Britain and Henry Holt in the United States. In 1963 Joseph Mileck revised it for Holt, Rinehart and Winston, and later printings also credit Horst Frenz as a reviser. That revised text is the one many English-speaking readers first met. Later translators, Thomas Wayne among them, have offered more literal alternatives, which shows how long Creighton's wording stayed the default.

Start with Steppenwolf, since it is the book listed here and the clearest example of what he did: it follows Harry Haller, a solitary intellectual, through a crisis of identity that ends at the Magic Theatre. If you want to see his range, read Grand Hotel next. It is brisk, ensemble-driven and nothing like Hesse.

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Steppenwolf

Steppenwolf follows Harry Haller, a middle-aged writer who sees himself as half refined intellectual and half solitary wolf, and who is close to deciding to end his life. A run of chance meetings, including a young woman named Hermine and a jazz saxophonist, pulls him toward pleasures and company he has long despised, and leads to a hallucinatory night in a Magic Theatre. Published in German in 1927, Hermann Hesse's novel mixes diary, essay and fantasy to ask whether a self can ever be a single thing. It is often counted among the classic novels to read from twentieth-century German-language literature, and as translated fiction it still speaks to readers who know isolation or inner conflict. This profile describes the Holt, Rinehart and Winston edition of Basil Creighton's English version.

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