Author profile

Helen Hoang

Helen Hoang is an American romance novelist whose love stories center autistic and Vietnamese American characters. Her debut, The Kiss Quotient, pairs emotional candor with wit and heat.

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About Helen Hoang

Helen Hoang is an American romance novelist and a Cornell University graduate. Diagnosed with autism spectrum disorder in 2016, she draws on her own perspective when writing autistic characters, using romance to explore how people understand themselves and one another.

Her contemporary novels combine emotionally direct love stories with questions of neurodiversity, cultural identity and belonging. The Kiss Quotient follows Stella Lane, an autistic econometrician who approaches intimacy as a problem she can solve by hiring Michael Phan, an escort. The setup is playful and explicit, but the novel gives equal weight to consent, insecurity and the limits of tidy plans.

Published in 2018, The Kiss Quotient was Hoang’s debut and appeared among The Washington Post’s 50 notable works of fiction that year. She continued its connected world in The Bride Test, about autistic accountant Khai Diep and Vietnamese immigrant Esme Tran, and The Heart Principle. TIME later included The Bride Test in its selection of 50 notable romance novels.

Begin with The Kiss Quotient. It introduces Hoang’s blend of warmth, humor and frank sensuality through a sharply drawn pairing: Stella trusts data, while Michael’s careful attention asks her to trust desire. Readers who enjoy its circle of characters can continue with The Bride Test and The Heart Principle.

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The Kiss Quotient

Stella Lane is highly accomplished at finding patterns in economic data but feels far less certain about dating and physical intimacy. Convinced that she can approach the problem through structured practice, she hires Michael Phan, an escort who accepts the arrangement while carrying financial responsibilities and private ambitions of his own. Their carefully defined lessons soon become complicated by desire, affection, and the widening gap between what each person feels and what each believes they deserve. Helen Hoang’s contemporary romance uses this transactional beginning to examine consent, communication, autistic experience, cultural identity, family obligation, and shame. Alternating attention between Stella and Michael, the novel gives both partners substantial emotional obstacles rather than treating either as the other’s solution. Its central question is not whether love can be calculated, but whether two people accustomed to protecting themselves can trust what cannot be mad…

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