Photo of Hiromi Kawakami
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Hiromi Kawakami

Tokyo-born Japanese novelist and story writer, winner of the Akutagawa and Tanizaki prizes. She moves between quiet, odd domestic fiction and speculative tales. Under the Eye of the Big Bird was shortlisted for the 2025 International Booker Prize.

1 published book 0 published articles

About Hiromi Kawakami

Hiromi Kawakami was born in Tokyo in 1958 and graduated from Ochanomizu Women's College in 1980. She came to writing through science. She edited and wrote for the science fiction magazine NW-SF and also taught science at a middle school. Her first book, the story collection Kamisama (God), appeared in 1994.

Most of her fiction starts on ordinary ground: meals, drinks, small talk, an awkward silence. Then it tilts. In Strange Weather in Tokyo, a woman and her old schoolteacher keep meeting over sake and beer, and a slow, unlikely romance grows between them. In the story Tread on a Snake, a snake moves into a woman's home and claims to be her mother. Kawakami rarely explains the strangeness. She lets it sit beside the everyday.

Tread on a Snake won the Akutagawa Prize in 1996, and the novel Sensei no kaban, published in English as Strange Weather in Tokyo, won the Tanizaki Prize in 2001. That novel was also shortlisted for the Man Asian Literary Prize in 2013. Her collection Ōkina tori ni sarawarenai yō won the Izumi Kyōka Prize in 2016. Asa Yoneda's English version, Under the Eye of the Big Bird, was shortlisted for the International Booker Prize in 2025.

Start with Under the Eye of the Big Bird. It follows a far-future humanity close to extinction, looked after by figures called Mothers, and its stories ask what changes in bodies, families and communities across vast stretches of time. Her science background shows in the way she handles evolution. If you want her quieter side afterwards, read Strange Weather in Tokyo, or Record of a Night Too Brief for her Akutagawa-winning short fiction.

Published books

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Under the Eye of the Big Bird

Hiromi Kawakami's speculative novel looks at humanity after it has nearly disappeared. Survivors live in small communities watched over by figures called the Mothers. Some of the people are made in factories from the cells of other animals, some are clones, and some draw energy from light and water. The story is told in fourteen linked episodes across geological eons, so each one lets a reader see a little more of a world that has changed beyond recognition. Kawakami uses this to ask what stays human when reproduction, bodies, memory and community are rebuilt. The book was shortlisted for the 2025 International Booker Prize. It is a strange, quiet and unsettling piece of translated fiction, and it suits readers who like ideas more than conventional plots.

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