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Maaza Mengiste

Ethiopian American novelist, essayist and photographer Maaza Mengiste writes historical fiction about war, political upheaval, memory and lives pushed out of official histories.

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About Maaza Mengiste

Born in Addis Ababa, Maaza Mengiste is an Ethiopian American novelist, essayist and photographer. She studied English at the University of Michigan and earned an MFA in creative writing from New York University. She is also a professor of English and director of creative writing at Wesleyan University.

Mengiste writes historical fiction shaped by Ethiopia’s twentieth century. Her novels examine how war and revolution enter homes, divide loyalties and alter private lives. Photography, gender and the recovery of overlooked histories recur throughout her work. Beneath the Lion’s Gaze, her 2010 debut, follows a family through the Ethiopian Revolution and the violence of the Derg regime.

The Shadow King, published in 2019, turns to Italy’s 1935 invasion of Ethiopia. At its center is Hirut, a young servant who joins the resistance and helps disguise a peasant as Emperor Haile Selassie after the emperor goes into exile. The novel shifts among Ethiopian and Italian perspectives while bringing women’s military roles into view. It was shortlisted for the 2020 Booker Prize. Mengiste later received a 2022 Guggenheim Fellowship in fiction.

New readers should begin with The Shadow King. Its vivid battle scenes and changing viewpoints create a broad account of the conflict, while Hirut’s transformation gives the novel an intimate center. Readers drawn to Mengiste’s treatment of history can continue with Beneath the Lion’s Gaze.

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The Shadow King

Set principally during Fascist Italy’s 1935 invasion of Ethiopia, The Shadow King follows Hirut, a recently orphaned servant who is drawn from domestic subordination into armed resistance. She initially enters the conflict alongside Kidane, an officer in Emperor Haile Selassie’s army, and Aster, Kidane’s formidable wife. As Ethiopia confronts a technologically superior invader and the emperor leaves the country, Hirut helps transform a humble musician who resembles Haile Selassie into a symbolic “shadow king” capable of sustaining morale. The novel also crosses the battle line through Ettore Navarra, a Jewish Italian soldier and photographer serving a violent colonial command. By combining intimate trauma, military struggle, photography, myth, and collective memory, Maaza Mengiste recasts a frequently marginalized theater of twentieth-century history around women who fought, endured, and remembered. The result is both a war narrative and an inquiry into who controls the images through…

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