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Richard Powers

American novelist Richard Powers writes intellectually ambitious fiction about science, technology, art and the living world. He won the Pulitzer Prize for The Overstory.

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About Richard Powers

Richard Powers is an American novelist born in Evanston, Illinois, in 1957. He studied at the University of Illinois, beginning in physics before moving to English, and later worked as a computer programmer. His first novel, Three Farmers on Their Way to a Dance, appeared in 1985. He received a MacArthur Fellowship in 1989.

Powers brings scientific ideas into literary fiction without treating them as decoration. Genetics shapes The Gold Bug Variations; artificial intelligence drives the experiment in Galatea 2.2; music courses through The Time of Our Singing and Orfeo. His later novels increasingly examine ecological crisis and humanity’s place among other forms of life. Multiple storylines and shifts in scale let private lives meet systems that are much larger than any one character.

The Echo Maker, a novel about memory and identity after a neurological injury, won the 2006 National Book Award for Fiction. The Overstory won the 2019 Pulitzer Prize for Fiction and was shortlisted for the 2018 Booker Prize. Its interlocking lives converge around trees, forest science and resistance to logging. Bewilderment was shortlisted for the 2021 Booker Prize, while Playground extends Powers’s attention to technology and threatened ecosystems into the Pacific Ocean.

Start with The Overstory. Its opening sequence introduces people whose lives are altered by chestnuts, mulberries, redwoods and other trees, before drawing their stories together. The structure shows Powers at his most characteristic: wide-ranging, research-rich and alert to connections across generations and species.

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The Overstory

The Overstory is a large-scale literary novel in which the lives of nine Americans become entangled with trees, forests, scientific discovery, and environmental resistance. Its opening movement presents several largely independent personal and family histories. Each history contains an encounter with a particular tree or species—a surviving American chestnut, a banyan, a mulberry, a maple, or the ancient forests of the Pacific Northwest—that changes how a character understands time, survival, or human responsibility. These separate narratives eventually converge around forest defense and then branch apart again as the consequences of activism reshape the characters' lives. The novel is divided into four parts—“Roots,” “Trunk,” “Crown,” and “Seeds”—so that its architecture follows an arboreal pattern. This is more than decorative organization. The early biographies establish the characters' origins; the central sections connect them through shared purposes and conflicts; and the conclu…

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