Author profile

Adam Hochschild

American journalist and historian Adam Hochschild writes narrative nonfiction about empire, political repression, war, and the people who resist them.

1 published book 0 published articles

About Adam Hochschild

Adam Hochschild is an American journalist and historian whose career has moved between reporting, magazine editing, teaching, and narrative history. After reporting for the San Francisco Chronicle, he helped found Mother Jones and worked there as an editor and writer. He has also taught writing at UC Berkeley’s Graduate School of Journalism.

His nonfiction often follows the workings of power alongside the people who challenge it. He builds history through sharply drawn participants and revealing episodes, joining a reporter’s attention to evidence with a storyteller’s sense of movement. Colonial exploitation, slavery, war, repression, and organized dissent recur across his work.

King Leopold’s Ghost traces Belgium’s King Leopold II’s brutal private rule in the Congo and the international campaign that exposed it. The book won the Duff Cooper Prize and the Mark Lynton History Prize. Hochschild later examined British abolitionism in Bury the Chains, First World War dissent in To End All Wars, the Spanish Civil War in Spain in Our Hearts, and threats to American democracy after the First World War in American Midnight.

Start with King Leopold’s Ghost. It introduces Hochschild’s characteristic method through figures including shipping clerk turned campaigner E. D. Morel, investigator Roger Casement, and early whistleblower George Washington Williams. The result connects colonial violence with the difficult work of making distant abuses visible.

Published books

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King Leopold's Ghost

In King Leopold’s Ghost, Adam Hochschild reconstructs the creation of the Congo Free State, the privately controlled Central African territory ruled by Belgium’s King Leopold II from 1885 to 1908. Promoted internationally as a humanitarian and antislavery project, the regime became an extractive system built around ivory, rubber, forced labor, hostage-taking, military coercion, and carefully managed propaganda. Hochschild follows both the people who helped construct this system and those who exposed it, including George Washington Williams, William Henry Sheppard, Roger Casement, E. D. Morel, and Alice Seeley Harris. The book is therefore not only an account of colonial brutality but also a history of political concealment and organized protest. By connecting corporate interests, royal ambition, racial ideology, missionary testimony, journalism, photography, and international activism, Hochschild shows how distant violence was made profitable, how evidence of it reached the wider worl…

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