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Ann Leckie

Ann Leckie is an American writer of science fiction and fantasy, best known for the Imperial Radch novels and their explorations of artificial intelligence, identity and empire.

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About Ann Leckie

Ann Leckie is an American science-fiction and fantasy writer whose first novel, Ancillary Justice, appeared in 2013. Before publishing novels, she placed short fiction in magazines including Strange Horizons and Subterranean Magazine. Her later work ranges from the space opera Provenance and Translation State to the god-haunted fantasy The Raven Tower.

Leckie often writes about minds that do not fit neatly within a single body or social category. Ancillary Justice follows Breq, the surviving fragment of the artificial intelligence that once inhabited the troop carrier Justice of Toren and its many human ancillaries. The novel also uses “she” as its default pronoun, reflecting a Radchaai language and culture in which gender is not socially significant.

Ancillary Justice begins the Imperial Radch trilogy, followed by Ancillary Sword and Ancillary Mercy. It won the Hugo Award for Best Novel, the Nebula Award for Best Novel, the Arthur C. Clarke Award and a joint British Science Fiction Association Award for Best Novel. Ancillary Sword later won the BSFA Award for Best Novel as well.

Start with Ancillary Justice. It introduces Breq, the Radch and Leckie’s central concerns through a revenge story that gradually opens into a study of personhood, loyalty and imperial power. It is also the necessary first step before Ancillary Sword and Ancillary Mercy.

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Ancillary Justice

Breq travels across a remote, frozen world in pursuit of the final stage of a long-planned act of vengeance. Although she appears to be one human being, she was once the artificial intelligence of Justice of Toren, a Radchaai warship whose consciousness extended through the vessel and thousands of human ancillary bodies. Now confined to one surviving body, she carries the memories of an imperial conquest, a beloved officer’s death, and the betrayal that destroyed nearly everything she was. Moving between Breq’s present journey and the events that produced it, Ancillary Justice combines space opera with a study of divided identity, colonial power, loyalty, grief, and moral responsibility. Ann Leckie’s use of “she” as the Radchaai default pronoun also makes readers confront how language shapes assumptions about gender. The result is both a revenge narrative and an inquiry into whether a being created to serve an empire can judge that empire—and act against it.

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