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Charlotte Mitchell

Charlotte Mitchell is a literary scholar at University College London, where she is an honorary associate professor. She is the editor of the Penguin Classics edition of Dickens's Great Expectations.

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About Charlotte Mitchell

Charlotte Mitchell is a literary scholar whose career has been tied to University College London. She studied and taught in its English department, and she holds an honorary associate professorship there. Penguin Random House introduces her as a lecturer in English at UCL. She has also written a short history of the department for its own website. That history places the college among the first in Britain to admit women to degrees on equal terms.

The work that brings her to WebToTell is editorial, not fiction. An editor of a classic decides how the text is presented and writes the notes that sit behind the story. Mitchell is credited with editing the Penguin Classics Great Expectations. David Trotter, a fellow academic, supplies the introduction.

The novel is one of Dickens's late books. It follows the orphan Pip as an unexpected inheritance changes his life. This edition adds a map of Kent in the early nineteenth century, so Pip's journeys can be followed on the ground. It also has appendices on Dickens's original ending and on his working notes for the book. A reader can see how the author's plans shifted.

For a first visit there is only one book to pick, and it is this one. Read the novel first and use the notes as you go. If you dislike spoilers, leave the introduction until the last page. Then turn to the appendix on the original ending and compare it with the one Dickens finally chose.

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Great Expectations

Great Expectations follows Pip, an orphan raised among the Kent marshes who is suddenly offered the chance to become a London gentleman. Pip narrates as an adult looking back on his younger self, and the novel traces how money, ambition and shame bend his loyalties toward the people who cared for him first. Dickens builds the story around a terrifying graveyard encounter, a stopped-clock house ruled by Miss Havisham, and a fortune whose true source Pip misjudges for years. Serialised in 1860–61, it is among the classic novels to read for its tight plotting, comedy and moral seriousness, and it remains one of the most enduring coming of age books in English. This Penguin Classics edition adds an introduction by David Trotter and editing and notes by Charlotte Mitchell.

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