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Herman Melville

American novelist, story writer and poet (1819-1891) who turned his years as a whaling sailor into Typee, Moby-Dick and Billy Budd. Largely overlooked in his lifetime, he is now counted among the great American writers.

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About Herman Melville

Herman Melville was born in New York in 1819 into a family whose fortunes collapsed while he was still young. He had little formal schooling and went to sea in 1839. In 1841 he shipped on a whaler bound for the South Seas, and the next year he jumped ship in the Marquesas Islands. That experience fed his first books, Typee (1846) and Omoo (1847), which sold well.

He did not stay with adventure for long. His allegorical Mardi (1849) failed, and he followed it with Redburn and White-Jacket, drawn from the hard life of ordinary sailors. Later came Pierre, a strange send-up of domestic fiction, and The Confidence-Man. His magazine stories include Bartleby, the Scrivener (1853) and Benito Cereno (1855). After 1857 he mostly wrote verse. Across all of it runs an interest in obsession, authority and power, and in how the American experiment was holding up.

Moby-Dick appeared in London in October 1851 as The Whale, and in New York a month later. It was largely ignored or mocked. Melville worked as a customs inspector from 1866, and Billy Budd, left in manuscript at his death in 1891, was not published until 1924. The turn came after Raymond Weaver's 1921 biography, which sent readers back to his books.

Start with Moby-Dick itself. The Penguin Classics edition listed here pairs the Northwestern-Newberry text with an introduction by Andrew Delbanco and notes by Tom Quirk, which help with the whaling lore and period references. Ishmael's opening chapters are an easy way in. Readers who want something shorter afterwards can try Bartleby or Billy Budd.

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Moby-Dick

Herman Melville's Moby-Dick follows Ishmael, a restless young New Englander who signs aboard the whaleship Pequod, and the ship's captain, Ahab, who has bound the crew to a private campaign of revenge against one white sperm whale. What begins as a sea story widens into an inquiry into obsession, authority, faith, race, labor and the limits of human knowledge. Melville interrupts the voyage with chapters on whale anatomy, whaling practice, art and scripture, so the hunt is also a book about how people try to describe something too large to master. Often counted among the classic novels to read, it is demanding, strange and funny. This Penguin Classics edition adds a scholarly introduction and explanatory commentary for modern readers.

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