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Mattias Ripa

Mattias Ripa is a Swedish translator credited with putting the first part of Marjane Satrapi's graphic memoir Persepolis into English from French. He did not write the book; his name sits on the English edition.

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About Mattias Ripa

Mattias Ripa is a Swedish translator who worked from French into English. His name is on the English edition of one of the best-known graphic memoirs of recent decades, Marjane Satrapi's Persepolis, where he is credited with translating the first part.

He did not write the book, and that is the reason he appears on WebToTell: the credit is a translator's credit. Beyond Persepolis, little of his work is documented in sources we can rely on, so this page sticks to what the record shows. What the job involved is easier to describe. Satrapi's story follows a girl growing up in Iran through the revolution and the war with Iraq, and the English text has to carry a child's blunt questions and the humor of the retelling without flattening either.

The French original was published first. The English version came from Pantheon in 2003 as Persepolis: The Story of a Childhood, translated by Ripa and Blake Ferris. Pantheon later gathered the whole story in The Complete Persepolis in 2007, and library catalogues credit Ripa there with the first part.

Where to start: Persepolis: The Story of a Childhood is the volume that carries his translation and the obvious first read. It begins with Satrapi's childhood in Iran and stands on its own. If you want the full arc, including Satrapi's years in Europe, pick up The Complete Persepolis.

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Persepolis

Persepolis: The Story of a Childhood is the first English-language volume of Marjane Satrapi's graphic memoir about growing up in Tehran. Told in stark black-and-white panels, it follows Marji from age six to fourteen while the Shah's monarchy collapses, the Islamic Republic tightens its grip, and war with Iraq changes daily life. Because Satrapi grew up in a secular, politically engaged family, history arrives as kitchen-table argument, family loss and a child's shifting questions about God, class and justice. Comedy and grief share the same page, and the child's viewpoint keeps vast political events personal. For anyone collecting memoirs to read about revolution, repression and coming of age, it is a compact, approachable starting point.

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