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Robert M. Edsel with Bret Witter

Robert M. Edsel and Bret Witter are American nonfiction writers whose The Monuments Men recounts the Allied effort to protect and recover Europe’s cultural heritage during World War II.

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About Robert M. Edsel with Bret Witter

Robert M. Edsel is an American author and advocate for the preservation of cultural heritage. After a career in oil and gas exploration, his interest in art and architecture led him to research the wartime Monuments officers. He founded the Monuments Men Foundation for the Preservation of Art in 2007. Bret Witter, his collaborator on The Monuments Men, had worked in book publishing before becoming a full-time writer and co-author.

Together they write narrative history that brings a large military and cultural operation down to a human scale. The Monuments Men follows six officers from the Monuments, Fine Arts, and Archives program during the eleven months between D-Day and V-E Day. Museum professionals and scholars move through war-damaged Europe, tracing art looted by the Nazis and trying to protect buildings, archives and collections still in danger.

The book became a number-one New York Times bestseller and inspired George Clooney’s 2014 film. Edsel continued the subject in Rescuing Da Vinci, Saving Italy and the young-readers title The Greatest Treasure Hunt in History. Witter has collaborated on numerous nonfiction books, including Dewey with Vicki Myron. The foundation established by Edsel received a 2007 National Humanities Medal for its work honoring the Monuments officers.

Start with The Monuments Men. It is the essential meeting point of Edsel’s research and Witter’s narrative craft, turning the recovery of Europe’s displaced masterpieces into an accessible account of people working against time, bureaucracy and war.

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The Monuments Men

Robert M. Edsel’s narrative history follows a small group of art specialists serving with the Allied forces during the final phase of World War II in Europe. Members of the Monuments, Fine Arts, and Archives program entered damaged cities, advised commanders about culturally important sites, inspected churches and museums, and pursued works stolen or displaced by Nazi agencies. Concentrating largely on the period from the Normandy invasion to Germany’s defeat, the book turns cultural preservation into a frontline story. Figures including George Stout, James Rorimer, Walker Hancock, Ronald Balfour, Rose Valland, and Harry Ettlinger reveal different parts of the undertaking: conservation, intelligence gathering, military coordination, documentation, and recovery. Their work raises a larger question about what victory means when buildings, archives, religious objects, and art embody the histories of communities. The result connects military history with art crime, restitution, museum pra…

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