Photo of S. A. Chakraborty
Photo: Serine Ben Brahim · CC BY-SA 4.0 · via source

Author profile

S. A. Chakraborty

S. A. Chakraborty, also published as Shannon Chakraborty, is a New York City speculative-fiction writer known for historical fantasy shaped by Islamic history and folklore.

1 published book 0 published articles

Official website

About S. A. Chakraborty

S. A. Chakraborty, who also publishes as Shannon Chakraborty, is a speculative-fiction writer from New York City. She is best known for the Daevabad Trilogy and The Adventures of Amina al-Sirafi. A longstanding interest in medieval Islamic history informs her imagined societies, political conflicts and magical traditions.

Her fantasy pairs adventure with questions about power, faith, occupation and inherited grievance. The City of Brass begins in eighteenth-century Cairo, where Nahri, a con artist with an unexplained gift for healing, accidentally summons the djinn warrior Dara. Their journey to Daevabad opens into palace politics and conflict among djinn communities. The trilogy continues with The Kingdom of Copper and The Empire of Gold; The River of Silver collects further Daevabad stories.

The City of Brass was shortlisted for the Locus, British Fantasy and World Fantasy awards. Chakraborty later received a 2024 Hugo Award nomination for Best Novel for The Adventures of Amina al-Sirafi, a seafaring fantasy centered on a retired pirate drawn back into danger.

Start with The City of Brass. It introduces Nahri through the quick, concrete business of surviving Cairo by wit and deception, then expands into the layered history of Daevabad. It is both the natural doorway into Chakraborty’s work and the first book of her defining trilogy.

Published books

Author

The City of Brass

In eighteenth-century Cairo, Nahri survives by selling false magic to wealthy clients, even though her unexplained healing ability is real. A ritual performed as part of a con unexpectedly summons Dara, a formidable djinn warrior who recognizes something in Nahri that she cannot explain. Their flight from Cairo carries her into a hidden supernatural world and eventually to Daevabad, a brass-walled city divided by dynastic conquest, religious loyalties, ethnic hierarchy, and memories of violence. There Nahri becomes entangled with the ruling Qahtani family, especially the principled but politically inexperienced Prince Alizayd. The novel combines an adventurous journey with court intrigue, gradually shifting its central question from whether magic exists to who controls the history and institutions of the magical world. As the opening volume of the Daevabad Trilogy, it establishes a conflict in which inherited identity can confer power while also trapping individuals inside struggles b…

View book