Author profile

Stanley Corngold

Stanley Corngold is an emeritus Princeton professor of German and comparative literature and a leading Kafka scholar. He translated and edited The Metamorphosis and has written on Kafka's writing and on his day job in insurance.

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About Stanley Corngold

Stanley Corngold was born in Brooklyn in 1934 and studied at Columbia, then at Cornell, where Paul de Man was among the advisers on his doctoral work. He joined Princeton in 1966, became a full professor in 1981 and retired in 2009 as professor of German and comparative literature. He has written on Nietzsche, Musil, Mann and Benjamin, and has translated Goethe's The Sufferings of Young Werther. Franz Kafka is the center of his career.

His Kafka work combines close reading with attention to how Kafka actually lived and worked. Kafka held a post at a workers' accident insurance institute, and Corngold, with Benno Wagner and Jack Greenberg, edited and translated the reports and legal documents he wrote there. With Wagner he also wrote Franz Kafka: The Ghosts in the Machine (2011). A single question runs through much of this work: how does a writer's language turn into the events of his fiction?

He received a Guggenheim Fellowship and a fellowship at the American Academy in Berlin in 2010. He was elected to the American Academy of Arts and Sciences in 2011. With Michael Jennings he founded the Princeton Kafka Network, active from 2009 to 2012.

For a first read, pick up his translation of The Metamorphosis. The Norton Critical Edition is annotated and based on the definitive German text, with selected textual variants, and a Modern Library edition also collects his translation. Read the story first, then the apparatus. If you want Corngold arguing in his own voice, move on to Lambent Traces: Franz Kafka, a book on Kafka's writing published by Princeton University Press.

Published books

Translator

The Metamorphosis

Franz Kafka's The Metamorphosis is a short German-language novella about Gregor Samsa, a travelling salesman who wakes one morning transformed into an enormous insect-like creature. The story never explains why. It asks what follows: a family that lived on Gregor's wages must decide what he is worth to them now that he cannot work or speak in a way they understand. Told in three compact parts, the tale turns a fantastic premise into a sharp study of duty, shame, money and isolation. It is among the classic books of twentieth-century literature, and this Bantam Classics paperback presents it in Stanley Corngold's English translation with supporting documents and critical essays.

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