Author profile

Tom Quirk

Tom Quirk is a literary scholar at the University of Missouri-Columbia who writes about Mark Twain, Willa Cather, and Wallace Stevens. He wrote the commentaries for the Penguin Classics Moby-Dick.

1 published book 0 published articles

About Tom Quirk

Tom Quirk earned his doctorate at the University of New Mexico in 1977 and has spent his career at the University of Missouri, where he holds the Catherine Paine Middlebush Professorship of English. His scholarship centers on American literature of the nineteenth and early twentieth centuries, with a sustained focus on Mark Twain that stretches across the humor, the philosophy and the darker late work.

His critical books move between ideas and texts. Bergson and American Culture (1990) traces how Henri Bergson's thinking about time and intuition shaped both Willa Cather and Wallace Stevens. Coming to Grips with Huckleberry Finn (1993) follows the novel through its complicated reception in American reading culture. Mark Twain and Human Nature (2007) examines how Twain's view of people shifted from early comic pieces to the bitter late essays. His collection Nothing Abstract (2001) gathers shorter pieces on a wider range of writers.

Quirk is also a careful editor. He prepared the Penguin Classics volume Tales, Speeches, Essays, and Sketches by Mark Twain (1994), edited the Bierce collection Tales of Soldiers and Civilians, and co-edited The Portable American Realism Reader. In the Moby-Dick edition that brought you here, his role is the apparatus: the commentaries that unpack whaling terminology, biblical allusions and the novel's literary references, set alongside Andrew Delbanco's introduction.

If you want Quirk thinking through an entire book rather than annotating one, start with Coming to Grips with Huckleberry Finn. It is the most approachable of his critical works, and it shows how he reads a novel as something that keeps arguing back at its readers.

Published books

Contributor

Moby-Dick

Herman Melville's Moby-Dick follows Ishmael, a restless young New Englander who signs aboard the whaleship Pequod, and the ship's captain, Ahab, who has bound the crew to a private campaign of revenge against one white sperm whale. What begins as a sea story widens into an inquiry into obsession, authority, faith, race, labor and the limits of human knowledge. Melville interrupts the voyage with chapters on whale anatomy, whaling practice, art and scripture, so the hunt is also a book about how people try to describe something too large to master. Often counted among the classic novels to read, it is demanding, strange and funny. This Penguin Classics edition adds a scholarly introduction and explanatory commentary for modern readers.

View book