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Crime Fiction

Crime fiction centres on a crime, usually a murder or disappearance, and on the people who commit it, investigate it or are caught up in it. Gillian Flynn's Gone Girl is one of the defining crime novels of its era: on their fifth anniversary, Amy Dunne disappears, and her husband Nick becomes the prime suspect, as the story is told in turns by each of them and nothing is what it first seems. A sharp, twisting portrait of a marriage and of media frenzy. More crime novels will join this shelf; see Mystery & Detective Fiction and Thriller & Suspense for more.

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Gone Girl

A Novel

By Gillian Flynn

On the morning of Nick and Amy Dunne’s fifth wedding anniversary, Amy disappears from their Missouri home. The scene looks suspicious, Nick behaves badly under scrutiny, and Amy’s diary appears to document a marriage darkening into fear. Police evidence, family testimony, and televised speculation gradually turn the husband into a national suspect. Yet the case is also a contest over who gets to tell the marriage’s story—and which performance the public will accept as truth. Gillian Flynn builds this psychological thriller through competing accounts, withheld information, and major shifts in perspective. The mystery of Amy’s disappearance drives the plot, but the novel’s deeper target is intimate self-invention: the roles people adopt to attract a partner, retain power, and survive public judgment. Set against recession-era job loss and a struggling Midwestern town, Gone Girl joins marital warfare to anxieties about gender, class, celebrity, and media-made guilt.

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