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Museums, Heritage & Preservation

Books about saving the things that hold our memory: art, objects and the stories attached to them. Robert M. Edsel's The Monuments Men tells how a small group of curators, architects and art historians in uniform tracked down artworks looted by the Nazis during the Second World War. Edmund de Waal's The Hare with Amber Eyes follows a collection of tiny Japanese netsuke through his family's history, from Paris and Vienna to Tokyo, and shows how objects survive when people and fortunes do not. For museum lovers, collectors and anyone who wonders where the treasures in a gallery came from.

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The Monuments Men

Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History

By Robert M. Edsel with Bret Witter

Robert M. Edsel’s narrative history follows a small group of art specialists serving with the Allied forces during the final phase of World War II in Europe. Members of the Monuments, Fine Arts, and Archives program entered damaged cities, advised commanders about culturally important sites, inspected churches and museums, and pursued works stolen or displaced by Nazi agencies. Concentrating largely on the period from the Normandy invasion to Germany’s defeat, the book turns cultural preservation into a frontline story. Figures including George Stout, James Rorimer, Walker Hancock, Ronald Balfour, Rose Valland, and Harry Ettlinger reveal different parts of the undertaking: conservation, intelligence gathering, military coordination, documentation, and recovery. Their work raises a larger question about what victory means when buildings, archives, religious objects, and art embody the histories of communities. The result connects military history with art crime, restitution, museum pra…

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The Hare with Amber Eyes

A Hidden Inheritance

By Edmund de Waal

Edmund de Waal traces the history of the Ephrussis, a prosperous European Jewish banking family, by following an inherited collection of 264 Japanese netsuke—small carvings originally used as toggles with traditional clothing. The collection passes from the art-filled world of Charles Ephrussi in late nineteenth-century Paris to the family palace in Vienna, survives Nazi seizure after the 1938 Anschluss, and eventually travels with Ignace “Iggie” Ephrussi to postwar Tokyo. De Waal combines family memoir, cultural history, art history, travel, and archival investigation to ask what objects can preserve when wealth, homes, status, and lives are violently dispersed. The carvings do not provide a simple recovery of the past; instead, their survival exposes both the durability and the limitations of material memory. Through their changing settings and owners, the book turns one inheritance into a closely observed account of collecting, antisemitism, dispossession, migration, and remembranc…

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